Play ostinatos with three limbs but change the limb combination in each bar. Additionally, change leading hand every bar. This becomes a six-bar repeated pattern and can be represented thus:
| Bar | Lead Hand | Ostinato A | Ostinato B | Melody Limb |
|---|---|---|---|---|
| 1 | Right Hand | Right Foot | Left Foot | Left Hand |
| 2 | Left Hand | Right Hand | Left Foot | Right Foot |
| 3 | Right Hand | Left Hand | Right Foot | Left Foot |
| 4 | Left Hand | Right Foot | Left Foot | Right Hand |
| 5 | Right Hand | Left Hand | Left Foot | Right Foot |
| 6 | Left Hand | Right Hand | Right Foot | Left Foot |
Using research-grade physiological monitoring (Hexoskin + Kubios) to measure stress responses during drumming practice
Do different practice structures for identical musical material create distinct physiological stress profiles?
Answer: YES
With complexity-dependent effects that align with established motor learning theory
Most complex coordination approach = LOWEST stress
Stress Rankings (Mean Stress Index):
For complex material: AdvancedContinuous shows 19-21% stress reduction
5-minute rest is effective only for simple material
Key Insight: Complex rhythms need 10-15 minute rest periods or different approach
Match structure to material complexity (as YOU experience it)
The subjective difficulty YOU experience matters more than absolute musical complexity
Practice structure matters more than expected
For complex material, the most intricate-looking approach can actually be the easiest path forward
The key: Reduce unnecessary cognitive burden while maintaining appropriate challenge
Sometimes complexity is simplicity in disguise